Lesotho book complete

After a fascinating trip to Lesotho and a couple of months wresting the design and text from the thousands of photos we took, here it is

Lesotho-1       Lesotho-27

The 6th book in the CHILDREN OF SOUTHERN AFRICA series.

In it are: Semonkong vetkoeks; the highest single drop waterfall in Southern Africa; beautiful blankets; foamy, warm milk; cowboy hats and hats of all types; a smiling river; rural laundromats; huts that smoke; buses that travel over steep, gravel roads; horse racing that you’ve never seen before; a boy hanging onto a calf’s leg; a game where the counters are called cattle….and lots more.

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Food in Writing

It’s not often that I dream an entire business plan – yes, a business plan – down to its name, operating strategy and the exact amount I should charge, but that’s what happened last night. It even got a thumbs-up from my dreamt-up father, who in real life is seldom enthusiastic about his daughter’s ideas. The really strange part of the dream-plan was that it is in an area I know nothing, or very little, about: the restaurant business. ( We hardly ever go to restaurants, hubbie and I…they seem such an extravagance.)

Problem: Non-English speakers in English speaking counties or in places where English-speakers go as tourists, setting up restaurants : Mexican, Chinese, Thai food, etc. create fabulous food but have or can have very poor menus with poor English descriptions of their dishes, sometimes in laughable Chinglish, sometimes completely impenetrable. Waiters often have little English to help out with choices.

Solution: Email photos of the dishes on the menu to my company FOOD IN WRITING with a list of ingredients and a little description of the cooking process and we will write menus that will have their English-speaking guests salivating with expectation. Sophisticated cooking terminology, good grammar and descriptive language will entice diners. We will also design the menus in a wide range of fonts and styles, creating  a PDF ready for the concern to have printed wherever they are. The logo of the restaurant will be incorporated.

Cost: 5 to 10 dollars per dish

AM I ONTO SOMETHING HERE?

Can’t wait for the billions of orders to come rolling in.

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Myrtle and Daneco

Who are these two children? Find out about their life in Kassiesbaai in the next CHILDREN OF SOUTHERN AFRICA book hot off the press, that is, my computer.

Kassiesbaai-book-1

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Revisiting the source: Yeoville book

Yeoville-cover

The next three books in the CHILDREN OF SOUTHERN AFRICA series are going to be South African and the first of the three is done: THOBEKA AND SAMUKELO, THEIR LIFE IN YEOVILLE, SOUTH AFRICA.

It was a no-brainer to choose this suburb of Johannesburg to explore. Firstly because it explores the life of the urban South African child. This child, unlike the township dweller in his and her collage-friendly, patchwork quilt environment, has rarely ‘made it’ into the children’s book world. It is an omission, I suspect, arising out of a tendency in our field for  repeating the known stereotype ad nauseum, and the fear of entering these ‘dangerous places” rendering them invisible to our writers and illustrators.

Then, there was the simple urge to revisit my own past. My husband and I both grew up in Yeoville. We wanted to go back and see for ourselves what has remained of this Yeoville and what has changed. What we found out was this: once again Yeoville has absorbed a wave of immigrants, taken them into her voluptuous bosom – one breast Raleigh Street, one breast Rockey Street – and given them a home. In our days it was European Jews and Portuguese and Lebanese and Greeks. Now, it is Congolese, Cameroonians, Nigerians, Somalians and Ethiopians. As well as the in-migration of local black people post 1994.

Yes, there are tensions. Yes, there is increased mess and disintegration and crime. White flight has created a suburb without the merest hints of the paler strands of the rainbow.

Yet, it was not hopeless. Remembering how well those early immigrants subsequently did – notwithstanding the benefits from apartheid and the excellent schools which propelled them upwards – one can see that the potential lies here and now too. Especially in the children. The book opens with Yeoville’s children at a Saturday morning reading club held in the new library. Stories are read to the children by volunteers and despite the fact that they are being read in English, the concentration levels are high. The children are ready to get going! They are ready to take up their future with energy and ambition! You can see it in their eyes.

Please put the children of Yeoville firmly into your and your children’s world view.

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Colonel Schermbrucker pops up at Milnerton Flea Market

The-Col-from-Milnerton

I’m a stickler for old frames so when one was poking out from the bottom of a heaped table at the flea market, I do what I always do: I dug it out. An old sepia photograph snuck out with the battered frame, no glass, and my eye immediately knew something before it registered in my brain. It was the Colonel Frederick Schermbrucker and a bevy of family members (he had 13 children!), the originator of the South African arm of our family. “That’s our ancestor!” we told the dealer as we haggled over the price. “Ja, sure,” said his face. For R35 we brought him home and did a double check against photographs we have of him at home.  ( My husband’s father collected any Africana he could on the old codger who made a bit of a name for himself when he arrived on these shores and we have been delegated as custodians of the collection.) But I was sure from the first second I caught his eye. He’s simply unmistakable is our Colonel.

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Still stitching

reviva-embroidery-low-res

                                                          Photo: Sue Kramer

A MONKEY’S WEDDING, my next embroidered book is growing, very, very slowly, one thread at a time. What colour should I make the giraffe’s eye?

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Going solo

purple-logo

A logo for the new phase of my working life. What do you think of it?

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From this to this

From-this...to Moz-book-1 indesign-zim-book--covers-only-1 indesign-swazi-book-1

From exotic to topical
From the outside to the inside
From cliche to authentic
From stereotype to individual
From historical to current
From typecast to hybrid
From flattened to rounded
From colonial to inclusive
From us-and-them to us

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An African suitcase

Whew! After months and months I have completed my next big project. Here it is:

African-suitcase

A CD in a jewel case…

African-suitcase-back-cover

A taste of the contents…

African-suitcase-inner

All this for only R200!

To find out how to purchase An African suitcase look on my website under Buy E-Books

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Boating shard

shard

 

Fossicking in a sports-field-to-be on what was once Cape Town’s dump unearthed this broken shard – a boating scene that once adorned a soup tureen or cup or plate.

I started writing a story about it but could not think of how to end it. Any ideas are welcome. Email me at vivic@telkomsa.net with your suggestions.

 

The boat shard

The field was covered in great mounds of mud and puddles lay in the furrows gouged into it. Spaced in ragged rows across the surface were short thin poles with small white flags tied to the tops. A bright yellow earth mover was tipsily parked on one end, its munching arm akimbo. It didn’t take much to work out that what was once the town dump from 1940 to 1960 was being levelled and was about to be turned into a sports field.

Picking her way across the field was a girl, her torso bent over clumped shoes. She squatted down every now and then to pick something up and popped it into the plastic bag she held in one hand. On and on she went, this way and that, oblivious to the muddy pools and slimy earth.

Tertia straightened up and lifted her head. Whilst she had been plodding through the field, her eyes peeled on the ground she hadn’t noticed the joggers or dogs and dog walkers nor the plump hadedahs working the green patch near the path, their beaks seemingly hitting their wormy targets more often than not. She took the briefest break to stretch her back before bending over and continuing her own search.

There was something hypnotic about what she was doing. She found it hard to stop even though the treasure she was picking up wasn’t really treasure at all. Worthless bits of pottery shards, mostly white but sometimes coloured winking at her from the mud. It was the ones that had a shred of coloured pattern that made it worthwhile. The deep blue and white patterned ones, the dainty floral bits from fine china no doubt, the rare ones with dark red or black markings on cream. Rims of plates highlighted in stripes. A semi-circle , like an outline of an ear, all that was left of the handle of a teacup.

As soon as she thought to herself that she might as well pack it in, she’d find herself spotting another twinkle from the mud. She could not resist picking it up and turning it over to check if there was a pattern on the reverse. Not this time. She discarded the piece and looked for the next. Another and another. It was an addictive pastime.

From the second that her eye hit upon the boat shard, she knew it was special. It doesn’t make sense that you can tell from the dizzy height of one and half or so metres off the ground that something the size of the tongue of a shoe angled into mud, is special. Especially when it is not particularly highly coloured and it is covered with mud-brown crackles and half of it is buried in the mud itself. But she did.

As she bent down to pick it up, she could already tell that the shard that had broken off from a plate or pot had managed to break in such a way as to retain a boating scene. And it was not the fairly common boat detail that you find on a blue willow pattern. It was different.

She wiped the shard on the seat of her pants and held it up close to her face to get a good look. She could tell that there were figures in a boat, one definitely with an oar in his hand and perhaps others as passengers. There seemed to be another boat behind the first, also with figures. And what else? A lump of muddy rust at the top of the shard that she couldn’t dislodge by rubbing with her fingers might have been hiding more. She would need to wash it off at home, maybe with a toothbrush?

She lifted her squelching shoes out of the furrow where she had found it and turned for home. Having decided against putting it with all the other shards in the plastic bag, she slipped it into her pocket . A few times on the way home she stopped to have another look at it and when it was in her pocket her fingers kept it company.

When Tertia got home, she was not allowed inside. “Strip off your shoes and pants at the outside tap. Then straight into the bath with you,” her mother ordered. “You might as well get into your pyjamas after your bath.”

At suppertime, Tertia held out the shard on her palm to show her family. The lump of stubborn rust had come off in the bath so there was more of the scene revealed.

“There’s another little boat up at the top here,” her mother said squinting hard.

Her brother wanted a chance to hold the shard.

“But what are those two spotted sacks in front here? Are they part of the seated figure?”

“No, that’s cargo. But why is the man who’s rowing sitting up in the air? “

They looked at the shard, this way and that, angling it into the light and even looking at it under a magnifying glass. But the scene it portrayed seemed to offer more questions than answers. When you looked at a figure in one way, it looked like an old heavily coated man with a white beard. (A passenger in the second boat) When you looked at it again, the white beard became the white hat of a third passenger, a woman! The most mysterious figure of all was the ‘passenger’ in the first boat. Were the shapes below his neck his arms in their jacket outstretched in a kind of open-armed “WEEEEEEE’ exclamation or was he merely stretched out over the spotted cargo? Were the shapes something else altogether? What was the white stuff that was spilling out of the boat from below his waist? And why, oh why was clearest figure of all, the oarsman wearing the potty hat, rowing from a perch much higher than the gunnels of the boat? What was clear was that the boats were about to dock. There was the lapping shoreline and a suggestion of pillars right at the broken edge of the shard.

What happens next? Help!

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